EVENT COVERAGE 2025 | BONAIRE
SHOOTOUT LIFE
MORE THAN JUST ANOTHER COMPETITION
The DSO is the full package of a tropical scuba diving vacation, learning new underwater photography skills AND meeting new dive buddies. With an emphasis on learning instead of competition, the DSO event uniquely fosters a camaraderie amongst the entire group of participants and staff.
Whether a repeat guest or first-time attendee of the DSO, everyone goes home having learned something new with underwater images they are proud to share with family and friends. And it’s not uncommon for a DSO dive buddy to become a friend for life!
DIVE BOATS
GEAR SETUP
Having trouble with your gear or using your camera for the first time? Get hands-on, personalized gear setup assistance from the pros and hit the ground running.
DEMO GEAR CENTRAL
The Digital Shootout is more than just a dive trip, it’s the only event in the world where you can test-dive the latest underwater imaging equipment for free.
Get hands-on experience with top-of-the-line gear from Backscatter and Nauticam before making a purchase.
DIVE. SHOOT. LEVEL UP
The Digital Shootout is your fast track to underwater photo mastery, and serious fun. Learn at your own pace and take it slow or dive in head-first.
THE UNDERWATER CAMERAS
LEARN EVERYDAY
With 25 unique, professionally presented seminars, the teaching pros at The Digital Shootout share a wealth of knowledge in shooting, editing, and creative techniques.
Get one-on-one guidance in the Creative Cave, and tap into our experts’ insights on the boat, in the demo room, at the bar, or over dinner.
The Digital Shootout is proud to support the Paul L. Schutt Underwater Photography Internship. Learn more about the internship program.
From my very first boat dive of the Backscatter Digital Shootout, I knew I was in for the experience of a lifetime! I arrived at the docks bright and early for our 7:30 departure, to find what can only be described as a full-on underwater photography invasion: kitted-out camera rigs as far as the eye can see, boats brimming with fresh tanks, and photo and filmmaking legends I’d admired for years there before my eyes. And I was about to dive alongside them, to spend two weeks learning everything I could from them – quite simply a dream-turned-reality!
It all began a few weeks prior, when perhaps the heaviest package I’ve ever received arrived at my doorstep from the Backscatter team, full of demo gear for me to test out during my internship. Christmas definitely came early this year – inside was all the kit and accessories I’d need to assemble a professional-level camera rig, ready for Bonaire! For the first time, I’d have a photographer’s dream toolkit at my fingertips, an incredible opportunity to push my skills and creativity in the coming weeks.

Fast-forward to my first day at the shootout, and I found myself aboard a dive boat called the Pressure Drop, surrounded by other eager photographers, splashing in for my first dives in Bonaire. From the moment I descended, I was mesmerized by the reef, with its flowing soft corals and bustling activity. With every dive, a new critter seemed to emerge, from juvenile Spotted Drumfish to majestic Eagle Rays, from shoals of squid to swirling baitballs. Even the water itself blew me away – as a California diver, I’m conditioned to the cold, low visibility of our dives, and while I adore our kelp forests, there’s something truly magical about reefs stretching out as far as the eye can see. And with my camera in hand, I couldn’t wait to capture it all! It was the perfect playground for my photography, for experimenting with new techniques and perspectives.
Each day of diving was followed by an evening of seminars from the Shootout pros, covering everything from the basics to advanced techniques. As someone who had never taken a formal photography class before, I had always found myself admiring the work of pro photographers, wondering how they created such mesmerizing images. Now, I had them right in front of me, open to answering all of my questions. As they gave their lectures, I tried to absorb every ounce of their experience, from the strobe positioning strategies of Jim Decker, to Lightroom magic from Erin Quigley, to the wide angle wisdom with Berkely White. I even got the chance to sit down with the one-and-only Cristian Dimitrius and review some of the filmmaking highlights of his career, quizzing him on how he’d created such amazing shots and storytelling. An incredible learning experience! Before long, listening to the pros started to shift my mindset underwater – I found myself taking a moment before shooting a subject, looking for more interesting details or behaviors that could bring together a story. I began taking images with intention, and I saw my photo skills accelerate more in days than they had in years.

For week two, I decided to shift my focus to video, something I’d only ever dabbled in prior to the shootout. But with aspirations of pursuing wildlife filmmaking, I knew this was the perfect opportunity to develop my knowledge and skillset. With the help of the Shootout team, I dialed in my settings and soaked in everything I could on all of the angles, elements, and editing that weave a wildlife story together. Thanks to Backscatter’s gear team, I even got to try out a video monitor – it was like watching a TV screen underwater!
After a week of video practice, everything finally came together on one of my last night dives of the trip. The aim was to shoot a species called tarpon on the hunt – as the night patrol of Bonaire’s reefs, they snap up any unlucky fish that stray into open water and, clever as they are, often take advantage of our bright dive lights to illuminate their prey. This in mind, Cristian had set out a raft of Keldan lights, coined the ‘moonpool,’ to serve both hunters on the reef that night: 1) providing a beautiful ‘fake moon’ lighting for us story-hunters and 2) attracting the attention of every hungry tarpon in the area. By the time I splashed in, the action was in full swing, with a swirling ball of baitfish, bound by the swooping passes of 5-10 tarpon. It was absolutely breathtaking! Drawing on the past two weeks, I focused on capturing the spooky atmosphere of the scene, from the tarpons’ roving eyes to the baitball pulsing with every tarpon attack – I ended up as the last one in the water, with a front-row seat to all the action! The footage was ultimately my favorite from the trip, and I decided to put together a short video from the dive, linked above.
However, for me, the most special part of the DSO was meeting so many people from the diving community, from the incredible Shootout pros to fellow participants from all over the world. I was endlessly inspired by the creative ideas and storytelling of everyone around me, and I left the DSO with so many amazing memories and new friendships. In particular, a huge thanks to friends and crew from my dive boat, for being the most awesome dive buddies for these two weeks. To the Nauticam team, thank you for all your guidance and for entrusting me with your incredible gear. And to the teams at Backscatter and Newmediasoup, thank you for running such an incredible event and for all your invaluable mentorship. I will be forever grateful for your support with this opportunity of a lifetime. Finally, a very special thanks to Linda Schutt and OWUSS, whose generosity makes this incredible internship a reality!

As the 2025 Boston Sea Rovers Summer Intern, I have the incredible opportunity to travel the world learning from world class professionals in all different fields of diving. When I heard that I would be heading to Bonaire for the Digital Shootout at the beginning of my summer, I was both really excited, and really nervous. I am brand new to underwater photography, although it’s always been an interest of mine and something I’d love to explore.
I showed up to the Shootout with a suitcase full of dive gear and clothes, and a case of camera equipment I had been treating a bit like an explosive out of fear that I would break something. While I was a bit overwhelmed at the beginning, the Shootout team was ready and helped each of us configure our rigs and settings before our first day of diving. For my Internship, Backscatter lent me an Olympus TG-7 camera and housing, a Backscatter MiniFlash and snoot, and a wide angle lens — and as I got more comfortable I had the opportunity to explore other configurations of arms, strobes, and video lights through the demo gear available at the Shootout!
By far my favorite thing about the Shootout is that anyone of any skill level benefits from it. As a new photographer, I definitely came leaps and bounds in my own understanding of photography, but I talked to plenty of more experienced shooters who felt the same way. It truly is a “you get out what you put in” type of event, in the best way. There’s so much to do and so much to learn, and you can cater your experience to your wants and needs. With three boat dives offered each day, and unlimited 24/7 access to the house reef, it’s easy to get extra shooting practice in. If you need tech support, you can head to the classroom in the afternoon for the Creative Cave – a place to work and get help or advice from Shootout staff. My personal schedule looked a lot like this: breakfast, two boat dives, lunch (recharge batteries), dive the house reef and/or head to the Creative Cave, download and edit, seminars, dinner, nightly critique session, set up tomorrow’s gear, more edits, sleep, repeat. Definitely busy, but full of new experiences and surprises every day, like the bait ball we found at one of the dive sites, or the mind-blowing tarpon night dives thanks to a brilliant fake moon setup at the house reef by Cristian Dimitrius and the rest of the Shootout staff!
Alongside the diving, we had two seminars each night on photo, video, storytelling, or post-processing techniques, each led by one of the incredibly knowledgeable members of the Shootout crew. Each class opened my mind a little bit more to the possibilities and gave me even more ideas and tools for my (metaphorical) photography toolkit. With the alternating schedule of seminars and dives, I was able to apply the skills I was learning in real time, and always with guidance from the pros.
The Shootout staff were an amazing resource throughout the event, and they were always willing to help answer my questions, troubleshoot an issue, or brainstorm new ideas. For my “final product” of the Shootout, I decided to make a short video featuring Christmas Tree Worms, which I’ve always found very entertaining and surprisingly inspiring. I want to thank Cristian Dimitrius for giving me the courage and inspiration to tackle video, and for working through the various iterations of my storyboards with me. I’m also grateful to Joel Penner for helping me learn the ropes of DaVinci Resolve and for saving me with his computer-wizard magic when my laptop decided it had enough. Thank you also to Erin Quigley, whose talk on her personal photography journey inspired me to keep experimenting and having fun, and who introduced me to the quotes I used in my video.
I’m incredibly grateful to Backscatter for such an incredible opportunity and for their support of the Boston Sea Rovers Internship. I have so many people to thank! Thank you to Berkley White and Becca Boring for inviting me to the Shootout and for supporting my growth and making sure I had everything I needed along the way. Thank you to Berkley, Dan Baldocci, and Jim Decker for putting together such an incredible event. Thank you to Cristian for keeping the creative spark of the Shootout bright, and to Erin for offering her skills, mentorship, and great sense of humor. Joel and Jen Penner were so much fun to spend time with, and always there to lend a helping hand. And of course, thank you to James, Thomas, Hergen, and Todd for great conversations and for help in the gear room.
Not only was it amazing to learn from such renowned pros, but I also had a blast connecting with participants and staff alike. Our boat Pressure Drop was a fantastic group, and spending time in and out of the water with Christina, Vicky, and Jemma (the OWUSS Intern) made the experience even more fun.
I am so incredibly grateful for all the people at the Shootout, staff and participants alike, who made this event so rewarding. It was amazing to learn from other photographers of all levels, and I can hardly believe how much I had the opportunity to learn. What a way to kick off my photography journey! I’m so excited to keep shooting.
AN ODE TO BACKSCATTER SHOOTOUT
By Dave “Mort” Morton
I dreamt of a blue adventure
With Backscatter off the isle of Bonaire
I’d be taught about taking great photos
And even video, if I would but dare.
I was encouraged to join the shootout,
Where I’d be put right through my paces,
And I’d learn to shoot the pretty fish
In front of their negative spaces.
But that dream was soon demolished
It was crushed like it did not matter
For I had been enlisted in 2 weeks of hell
Led by the pros out of Backscatter.
We had to wake before the sun rose,
Ate breakfast while lugging our gear,
Loaded the boat each morn as the isle awoke,
When all we wanted was a snack and a beer.
Let’s not forget ‘bout Sarg Decker,
Who abhorred an improper crop,
And who hated seeing bad shadows
‘cause you didn’t put “One over the top”.
I’ll never not remember the Apehanger,
I’ll Princess Leia my rig when I splash
I’ll plan to shoot that priceless shot
That I’ll miss ‘cause my heads up my ass.
For we had homework each day to accomplish,
Big Jim had made that quite clear,
Find your own beautiful background,
And fish will approach, don’t you fear.
In the distance a pinnacle glistened,
With more fish than Decker’s best dream,
But by the time I got it in focus,
The last freakin’ fish had fled the scene.
But I did not get discouraged,
Nor did I let my attention run free,
I had to but get a new target,
And the fishies would then rush to me.
So I sat and I thought and I waited,
A perfect background focused up by my lens.
Would it be a squid, or a turtle that would grace my space
And show me all of his friends?
I waited and watched my computer,
My air dying as fast as my wish,
But the only thing that passed in front of my reef
Was sand turds out the end of a fish.
So then, I shifted to macro,
Where my target’s all tiny and slim,
It’s F22, and a two hundredth,
Quite easy, according to Jim.
But then when you’ve F’d up your lighting,
And One strobe over the top didn’t quite hit,
Jim says, Go grab your cone of black plastic,
And just Snoot the hell out of that shit.
We owe great thanks to the Penners,
Jen and Joel are the courageous couple most dear,
Who travel the world with their cameras,
And capture images that most others would fear.
Joel, the shootout webmaster,
With drones flying dry and cameras quite wet,
Will amaze you because in a hour,
He’ll have created a gem – now that’s a safe bet.
And Jenn, she’s solid and stable,
A calming voice in the cave’s daily storm.
Bringing us all back to reality,
When all of our pictures seem terribly wrong.
And speaking of happy couples,
how ‘bout the two that’s the talk of the java?
No, I’m not talking about Berk and Christina,
But the pair that’s hotter than lava?
They share a bedroom on travel,
And finish each others thought,
Of course it’s Todd and it’s Hergen,
Just don’t mention spilled milk on their cot!
But their images are amazing,
They inspire us all to think “Maybe I can!”
It’s no wonder that they’re world ambassadors
For the best housings, the black Nauticams!
And speaking of them, we have Vicki, who traveled furthest
All the way from Hong Kong,
And shared with us the coolest wild video,
That she edited while smoking a bong.
Becca was seen for a moment,
After muling in lithium beneath TSA eyes,
But she had to quickly return to the backscatter shop,
To dispel the mayhem from “Lord of the Flies”.
Where would we be without great technicians,
Unsung heroes Thomas and James,
Solving problems were their mantras,
Making it look easy were their games.
But did you know that Berk had them sequestered
Forced to work ‘round the clock in the shed?
He’d let them come out for test dives and supper,
Then marched ‘em home and chained ‘em to beds.
Let us not forget lovely Christina,
Our social media contact pro,
Who communicates with Gen X-ers
As all us dinosaurs just say “Whoa!”
“You want us to generate content,
That will disappear after one view?”
Us old dogs are saying “That’s crazy,
And we can’t possibly learn something that new.”
This trip would have been chaos without a Maestro
Coordinating all so that we could learn and achieve
So a big thanks goes out to Dan the Director,
Who can relax after we all finally leave.
He’ll get to welcome in his family,
With 2 daughters excited to dive,
With the youngest earning her c-card,
Right after they land and arrive.
Erin, our Lightroom Classic Royal Queen,
Who’s manipulation of the pixilated screen,
Leaves us all in awe of her majesty,
Her mystical powers that translate our dreams.
With but a few clicks, a tweak and a mask or two,
She’ll correct our worse shots with aplomb,
She deletes backscatter with magic,
Leaving us all feeling stupid and numb.
Then as we sit in our stupor,
Admiring her created great art,
She undoes all of her magical work,
Leaving us all right back at the start.
“Now do it yourself”, she’ll say with a grin,
Tis easy as eating a pie,
“Just drop in a good white balance,
Kill the cyan, and highlight the eye”.
Our inspirational leader is Cristian,
The crazy medicine man from Brazil,
Whom inspired us all daily by example,
With words and images that tingled and chilled.
If he had his own spirit animal,
It’d be no little pup that could tire,
But he’d be sharing his soul with a mystical beast,
Like a flying dragon that kept breathing fire.
And Berk, F’ing Berk – Legend Walking.
Who’s got the skills so incredibly hot
That James Bond shakes HIS martini,
And turtles beg HIM to be shot.
He’s finally admitted his secret passion,
One that he’s telling his friends and his fam,
He’s just signed into the 21st century,
And is now posting shit on Instagram.
Remember, they’d be no Backscatter without BS,
Without the BS, it’s all just ack catter.
So save yourself some grief, and bring your BS to Berk,
And he’ll then show you what truly does matter!
So as we wind down this shindig of awesomeness
Join me in a toast as I gladly cheer out,
Thank you Staff for all you’ve done
Throughout this entire Shootout.